Review + Q&A: Korb- III (2022, Dreamlord Recordings)
Sometimes the less you know about a subject, the more interesting fantasizing about it becomes. Take space travel for instance In the 1970s and 1980s. Even before space telescopes started mapping our milky way (animated) movies about space travel showed us wild and foreign habitats like Le Planete Sauvage (1973). Korb knows about this, and …
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Review + Q&A: Mythic Sunship- Light/Flux (2022, Tee Pee Records)
Wouldn’t it be perfect bliss to be able to attend a bunch of jam sessions of your favorite artists, just to be there when they improvise and anticipate their artistic similarities and differences? Perhaps to sit in the middle of the room, on a big comfortable carpet, with the drums on the far side of …
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Review + Q&A: The Web Of Lies- Nude With Demon (2022, Wrong Speed Records)
Last week I snatched away the -at least for now- very last Amazon copy of Nude With Demon, the debut album by UK’s The Web Of Lies. On their bandcamp, as well as on their label Wrong Speed Records the albums have also gone so I guess for promotional purposed this review is pretty darn …
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Review + Q&A: Dead Man’s Eyes- III (2022, Tonzonen Records)
There are few records I have been looking forward to more this year than Cologne’s Dead Man’s Eyes and their third album, simply called III. For one thing they seem to grow with every output, and their previous album 2018’s Word Of Prey already showed an uncanny skill to bend all kinds of (psychedelic) rock …
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V.A.- International Space Station Vol. 1 (2022, Worst Bassist Records)
Space; is has always attracted and fascinated heavy psychedelic musicians. Ever since Hawkwind coined the term space rock, you could easily visualize why this type of music would associate with the deep dark outer limits. It represent weightlessness, endless travel, and a sense of being infinitely small in the gigantic body of the galaxy. And …
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The Black Angels- Wilderness Of Mirrors (2022, Partisan Records)
The Black Angels return once again with a strong new display of their mesmerizing psychedelic power. The Wilderness Of Mirrors is the follow up of 2017’s Death Song, a direct nod to their personal heroes The Velvet Underground and a pretty dark and aggressive album for them. Now, five years later and a period of …
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Review + Q&A: Opossum Sun Trail- Mojave/Klamath (2022, Echodelick Records)
We are out in the Mojave desert, a rocky and dry place with the characteristic Joshua Trees throwing their silhouettes on the barren grounds. Somewhere far out in that deserted area, away from the occasional tourist or drug weirdos, a trio of musicians is channeling their surroundings. Vibing on the pale desert floor, the stern …
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Review + Q&A: Harvey Rushmore & The Octopus- Freedomspacecake (2022 Taxi Gauche Records)
For a psych head, Switzerland’s Harvey Rushmore & The Octopus are a big box of chocolates. From the elusive band name, to the weird fishes artwork, right up to the music in which they effortlessly reference every cool band you have been listening to for the past five years. And they write songs! With jiggly …
Review + Q&A: Sula Bassana- Nostalgia (2022, Sulatron Records)
Nostalgia, the yearning for a bygone era. An era perhaps without all the incentives and stimuli of these modern times. A world without mobile phones, social media, or even the internet. A world in fact, that not so very long ago was a reality. In the 90s we had to find new music through magazines, …
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Review + Q&A: King Buffalo- Regenerator (2022, Stickman Records)
The third and final chapter of the album threesome that King Buffalo recorded during the pandemic lockdown in 2021 is called Regenerator and once again it shows a different side to the band. Where The Burden Of Restlessness was an aggressive, heavy and metallic record, and Acheron was the psychedelic jam album, Regenerator does exactly …
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