Exoplanets are mysterious undiscovered places. Basically, they are all the planets that are situated outside of our milky way galaxy. They are so incredibly far away that we will probably never reach them, or even know if they have already expired or not. The beauty of them therefore is that you can endlessly imagine what they look like, and all your imaginations could be true. If you are a troupe of psychedelic astronauts like Moths & Locusts, you can imagine that they are a an endless source of inspiration…
For Canada’s Moths & Locusts Exoplanets constitutes their fourth full-length album. They have been around the block and back, and it shows. When it comes to reverb-drenched psychedelic rock so incredibly much has already been done since the acid days in the ’60s and yet they manage to come up with music that tickles my ears. So what’s going on here?
First of all, there is a beautifully balanced musical narrative in this album, starting off loud and abrasive with psychpunk blaster Cocaine Kangaroo, after which with each consecutive song a new world and atmosphere is explored until the song Avulsion seems to introduce the end of the world in a twisted biblical narrative that ends with the words “There will be fatalities, but cockroaches will never die”. And then Exoplanets starts.
In a genre that often detaches itself from much emotion, sometimes even literally drawing up a wall of purple smoke around itself as a guard to feeling anything, Moths & Locusts really does dare to explore new worlds on Exoplanets. The song’s sixteen minutes are so god damn heavily laden with the weight of the world (or perhaps worlds), giving the listener an intense sense of mourning with its dramatic vocal performance and cinematic soundscapes as it slowly and subtly builds up to a roaring rocket afterburner of feedback drenched heaviness. I bet Pink Floyd didn’t expect their machine would end up this way when they set the controls to the heart of the sun. It’s just beautiful really, and the unexpectedness adds to the experience, like a sudden ray of sunshine in the face while walking in the rain.
The album ends on an instrumental note with the psychedelic postrock track Fresh Red Blood, which is a welcome moment of contemplation after a full space travel experience like this. Moths & Locusts have really outdone themselves this time. They have explored their inner Exoplanets and found a fresh take on the space rock genre. For me personally it is a an album that captivates 2020 as the fucked up rollercoaster ride it has been more than any other piece of music I have experienced so far. And proof that sometimes good things do sprout from the bad.