So the new Snakes Don’t Belong In Alaska album…is freaking dense! It’s like they took all their dark thoughts and frustrations with the past pandemic period and channelled them into these five slabs of heavy psychedelic space rock. There’s even a sense of sci-fi horror and evil lurking over Interstellic Psychedelic, oozing out of it. A sense of dread that is fed by the spoken word snippets left, right, and center, theatrically building images of lost souls and dark visions…but keeping their tongue firmly in their cheek at the same time.
Because at the same time that some of this record will give me the shivers, the campy keyboards, the over the top theatrics, and the thick emphasis on spaciness also made me conjure up images of Douglas Adams‘ Hitchhiker’s Guide To The Galaxy…Interstellic Psychedelic could well have been one of its hazier chapters. You know; it’s about total death and the destruction planets, but it’s gruesomely funny at the same time. You can totally see Zaphod Beeblebrox throwing down some Pan-Galactic Gargleblasters and rocking out to this in his space ship.
Nothing about their true intentions becomes entirely clear though, and that is on purpose. Snakes Don’t Belong In Alaska are true improvisationalists; they love taking things as they present themselves. That’s how you have to listen to this album as well. You’ll never know what lurks beyond the corner, because neither do they! Anything is possible, from playing the electric Kazoo to including a 12-year-old kid’s poetry. It makes this mostly instrumental journey all the more exciting. It moves from dangerous to funny to epic in minutes, like the good sci-fi movies of yore used to. Best thing to do is light one up and let these intergalactic Englishmen take you to the next dimension…
So with this being the second time I reviewed Snakes Don’t Belong In Alaska, I could certainly not just leave it at that? I had to talk to them! Luckily Aaron Bertram (bass snake) kindly and swiftly replied...
How are you guys doing these days? How did you deal with the dreaded pandemic?
Absolutely awesome. We were very lost in the beginning of the pandemic but I (bass snake) decided to buy equipment to record and produce from home and spent hundreds of hours watching YouTube video tutorials. our first home recording experiment was Electric Bong Water. After finishing that we realized with a bit more hard work we could probably record an album this way, so we set to work on The Eternal Electric Landscape. The strangest thing about it was actually having to write music as everything up until this point was completely improvised. After electric bong water Dan from Up In Her Room Records got in touch about working together. So overall i’d have to give us a pat on the back and say we done pretty well through the pandemic. If you listen to Enter The Psychedemic from the new record the lyrics reflect this.
Can you introduce the band to the Weirdo Shrine readers? Anything people really need to know up front about your band?
Our motto is try everything and anything, record it, see if it works. This mindset has led to the use of things such as electric kazoo on The Eternal Electric Landscape and Interstellic Psychedelic. Our live sets are mostly improv jamming our own tracks loosely. The weirder something sounds the better.
What can you tell me about the making of Interstellic Psychedelic? In what way did your approach to record differ from The Eternal Electric Landscape?
We begun the writing and recording of this record in October 2021 and at first approached it in a very similar way to The Eternal Electric Landscape. However the record slowly started becoming its own entity and we viewed it that way. The last song on the record called Nature Of The Evil Within is A poetic story direct from the twisted psychedelic mind of 12 year old honorary baby snake Layland Bertram (my son). Sound tracked and performed by dad’s band. He won an award at school for it and once I read it I knew we had to work on it to make it into a sound tracked version of the story. So we were taking influence from places we’d not normally think to explore.
How important is jamming and improvisation for SDBIA? How do you make sure that comes across right on record?
It is the core of what we are. Even in this record although it has been written, it was all written and recorded in one take to maintain the core vibe and we stay away from thinking too hard about structure, you’ll never hear us doing verse, chorus, verse, chorus.
You guys are from Newcastle, right? In what way does living there influence you as an artist? Is there a psychedelic scene for instance?
We are yes, although Jarrid is actually Canadian. When people think of Newcastle they think of poverty and a tough social attitude and i think that comes across in our rough and ready, high energy sound. There isn’t much of a music scene at all in Newcastle now, many touring bands completely miss the city. That being said there is still a pretty cool underground scene that consists of many genres working together, which is pretty cool.
In what way is playing psychedelic music and using psychedelic substances interwoven with each other do you think?
Oh dear my mum will be reading this haha, Hi Mum. I think the two are part of the same entity. Psych music, at least our psych music is completely about exploration of the mind and I’d say that psychedelic substances have the same purpose. Although we’re mostly good boys these days haha.
What would you say is your biggest influence, both musically and otherwise?
We all have a similar core of influence, Hawkwind, Floyd, Earthless, 35007, etc. But we all have our own individual musical influences too, myself being into a lot of punk, Alex being into British indie and Jarrid being classic rock and folk. We also take a lot of influence from the psych world in general, people like Kenneth Anger.
What are you looking forward to most in 2022? And in 2023?
We are going to put way more energy into gigging, we’ve all been so buys in our home lives recently. We are currently organizing a short UK tour for the back end of the year and hopefully looking to slither our tails a little further a field next year.
When will your spaceship land in The Netherlands?
We are hoping to put together some mainland Europe shows next year but it’s difficult with finances, if we can get the right deals with promoters so we can actually afford to do it, the Netherlands will definitely be one of our top priorities of places to play.
What should the Weirdo Shrine readers do after this interview?
Go listen to Interstellic Psychedelic and some of our historical stuff so you can hear the evolution of SDBIA and continue to support your local psych scenes especially the DIY ones. Thank you everyone!