Weird. The word has gotten a certain negative connotation about it over the years. Like standing out and being different from the group is a bad thing. Here at Weirdo Shrine we do not think so. We worship the weird. The dare devils. The genuine weirdos that proudly wear their weirdness on their sleeves. Relish it, push it, twist it and turn it, not resting until minds are boggled and skin is crawled. Boulder Blues is doing all that and more. This is some weird shit, and boy is it good.
There is little you can do to prepare you for what Staraya Derevnya has on offer for your ears. The international collective creates songs telling strange stories with vocals but without words. Well, not words that are found in any language any way. At times they are pure “dada”, kicking your shin anti art style. But once you are fully immersed and over their initial edginess there is a whole world of depth opening up, revealing truly undiscovered places. The German sound pioneers Can come to mind, the way they always went for the original groove, and put everything in its service, human vocals included. But if possible, band leader Gosha Shtasel’s vocals are even more unhinged and “free” than Damo Suzuki’s. He repeats his fantasy incantations to full on hypnotism, guiding the listener into a trance leading to nobody knows where…you’ll have to find out for yourself.
The music is a blend of anything the groove needs to get going, a bit of jazz, a bit of underground blues, some freakish folk, a touch of kraut…but never an imitation, always at most just an echo of something you ever heard before. True weirdness then. A thing to be cherished. I wish you all a very open third eye when you dig in. Don’t give up easily, and Staraya Derevnya will show you places you did not know existed.
We talked to band leader Gosha Shtasel about his strange collective, because it really is worth ask questions about. Here is what he had to say…
How are you doing these days?
Just released a new record and played in Cafe Oto and Supernormal festival. Enjoyed every moment of it!
Can you introduce your band and tell me more about why you started it?
We went through various stages, being a live band, then a studio project, then a live band again. Over the years many people came and went, but I feel that the current lineup is truly like-minded. They also happen to be some of the kindest and most talented people I know.
Where are you from and how did it influence your music do you think?
I was born in Ukraine, grew up in Israel and moved to the UK in 2000. I would say it had hardly any influence on our music.
I am sorry to say I could not really make much of the lyrics, which language are they in and what are you singing about?
There’s a mix of Russian and a made up language. It is more about loose associations and intonations than “a message” or “a meaning”. Therefore, I think listening to the music will give a much better understanding than a literal translation.
I have to say Boulder Blues is really something else, it is unlike anything I ever heard before. Sometimes the vocals and music are really quite out there, and made me think of a theatric production, perhaps a puppet play 😉 Do you have a theater background or do you recognize this influence?
Not me personally, although many of my friends are involved with theatre. We try not to pay much attention to genre boundaries and just do what feels right. Saying that, we try very hard (with various degrees of success) not to sound “melodramatic” or “theatrical”.
Will there be visuals to accompany the music in the future? I think that would really fit!
For us, the music and visuals are interconnected. Like the two dimensions of what we do. It is less obvious when listening to the album, but becomes more apparent at the live shows.
It made me think of Captain Beefheart, Tom Waits or Mike Patton at times, what music were you influenced by?
Everyone in the band has their own, very distinct influences, but since I do the mixing, mine are more obvious 🙂
What happens when you create music?
The recording is fast, usually quite intense and mostly improvised. The mixing/editing stage is a complete opposite – slow and meticulous.