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Review + Q&A: Harvey Rushmore & The Octopus- Freedomspacecake (2022 Taxi Gauche Records)

For a psych head, Switzerland’s Harvey Rushmore & The Octopus are a big box of chocolates. From the elusive band name, to the weird fishes artwork, right up to the music in which they effortlessly reference every cool band you have been listening to for the past five years. And they write songs! With jiggly earworm chorusses that will enter your hearing organ and never leave.

Opener Plastiq channels The Black Angels doing their best King Gizzard impression, while Speedmaster brings that eerie weirdo surf vibe that washes salt water over your head the way The Horrors could in their early days, but with a super stoned subdued Wooden Shjips motorik beat. It’s only an impression of what this band has in store for your head, because even when a trained psych ear can trace these tunes back to their roots without too much trouble, that never bothers as these psycho chocolates all contain a nice and balanced mixtures of delicious substances and in that way stay fresh and crispy every time you spin them.

The songs mostly range around the four/five minute mark, never overstaying their welcome and all displaying an experienced songwriting skill, except maybe title track and album closer Freedomspacecake, which is a kaleidoscopic stoned mountain climber of almost nine minutes that sees Harvey Rushmore & The Octopus letting go, surrendering to the beat the way Can could, and creating their own genuine Godzilla…

So I guess we have found another good reason to visit Switzerland. Next time you enter that beautiful Alp country add some Swiss chocolate to your space cake, find this band playing some smoke filled liquid light den, and fill your lungs with total psych indulgement.

I talked to singer/guitarist Massimo Tondini, who I already met some time ago when our bands played together in a rather terribly organized gig in the belly of Germany. This time we conversed over more joyous circumstances: a new album, and the apparent end of the pandemic, which allows his touring machine Harvey Rushmore & The Octopus to finally do what they do best once again: to blow minds on a live stage.

Hi guys! How have you been the past pandemic period?

It was not an easy time. We missed definitely going on Tour and having shows. It was quite depressing sometimes. But it also gave space to use the additional time to go to the studio and work on some new material. In the end we have been lucky, that the album release was not planned during the lockdown period.

Can you introduce the band to the Weirdo Shrine audience?

Of course, we are Harvey Rushmore & the Octopus and we play a mixture of psychedelic, garage and kraut rock. We like that certain atmosphere and a live experience – dark and crowded concert rooms, loud repetitive music with a psychedelic approach and lot of fuzz guitars. We use visuals, drum machines and lots of synths, samples and effects and we love reverb on guitars.

Can you tell me about the new album? What is the best thing about it do you think?

I think the new album is a step further in our musical development and the result of many shows and lots of playing together. We improved musically, in terms of song structure and sound design, but it also offers a variety of songs with different moods that go well together.

In what ways did you approach the writing and recording differently than previously?

The guitar parts are more mature and precise than in the previous albums. We also did a lot of jamming and recorded mostly everything, that lead later to those songs we have here. The whole album was also self-recorded at our own studio in Basel, which gave us more space and time to figure out specific things without having to much pressure.

What is the biggest force that drives the band? Why do you do it?

We really love to play in front of an audience and going on tour, with everything thats involved in it. I think HRO is not so much a “studio” band. I think our qualities stay within our performances and that is certainly our biggest motivation. 

Just doing music together is probably the easiest way to describe our motivation – with all the involved ups and downs. It’s maybe just that.

Can you tell me about your home town? In what way did/does it influence your sound?

Hmm, yes we are all living in different cities, so it makes it difficult to answer the question. I guess we are more influenced by the music we like and listen to or weird movies and art in general. I’m not so much aware about the influences of our hometowns. Maybe more in terms of an anti-posture. The core values of our hometown or country in general are heavily performance or economically oriented. They’re all doing their thing, trying to distinguish themselves. Of course you cannot say that in general and its much more complex, however with our band or the approach to a kind of music that is outside the mainstream, we find a way to get away of that. It gives us a certain satisfaction and a kind of bond to stick together. The madness of current political, environmental and social issues is something that has a big influence on our sound and the lyrics.

Choose: touring with The Black Angels or King Gizzard? (and why)

I think The Black Angels: it was one of the bands that opened a new world for me, when I was starting to get into music more seriously. I like their albums more and the sound has a deeper effect on me then King Gizzard’s sound, although I think their an amazing live band.

Can you tell me about your future plans?

Playing live shows: We are currently up to organise a small tour in Europe and working on new material. It would be nice to have another new album soon.

What is a bucketlist achievement you still want to do with Harvey Rushmore?

Touring through the balkan states, going further and record a live album in Istanbul.

What should the Weirdo Shrine readers do after this interview?

I think you should listen to our new song “Speedmaster” and watch the official clip after a weird night of party – with earphones and while walking home late.

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