Ok, so we just had to talk to Mike Vest, right? Known throughout the underground for his involvement in Drunk In Hell, Bong, 11Paranoias, and of course the mother of all psych jam breakouts: Blown Out. In stark contrast to his regular noise mongering on record and on stage, we find the man in the quiet environment of his vegetable garden in Newcastle, UK. “I much rather visit the chaos, than live in it” is a beautiful quote from the man who seems to live very much in the presence, and does not dwell on the past for a second. So open your eyes, but definitely also your ears for this one, because there will be a lot of new and upcoming sounds in this one…
How are you? Can you introduce yourself and you multiple endeavors?
I’m good, enjoying these lighter nights, I’ve been gardening, I farmed a lot of potato soil end of last summer. Trying to get the garden soil back to a good pH or whatever. Starting to see the benefits now. De bois, gariguette and cambridge strawberries plants are growing well,
especially happy with the Ceanothus (Lilac Tree). The roots run deep, took about a year for it to be able to stand on its own. Hydrangeas are returning stronger, dark violets and royal reds hopefully, like last year. Going to plant a pear tree in the autumn. Tulips came out nice too. Winter pansies holding strong. Nice to have some freshly picked flowers around the house again.
So…two new LPs out now, MODOKI with Mitsuru Tabata playing leads.
I play bass and do the mixing and Dave Sneddon, handles the drums.
‘Atom Sphere’ our debut is available from Riot Season (UK) and Echodelick Records (US)
Our second, ‘Luna To Phobos’ should be seeing the light in a couple of months I think.
The second has more twists and turns. These were both recorded and mixed around the same time as each other.
New album from Artifacts & Uranium, our 3rd ’The Gateless Gate’ is out on Riot Season (UK) and Echodelick Records (US). Fred Laird did a great job with the production and mixing, as he has done with all our albums. We have just completed the 4th. This has Mitsuru Tabata as a guest feature. As I was working on Modoki stuff at the time.
https://riotseasonrecords.bandcamp.com/album/atom-sphere https://echodelickrecords.bandcamp.com/album/atom-sphere https://riotseasonrecords.bandcamp.com/album/the-gateless-gate https://echodelickrecords.bandcamp.com/album/the-gateless-gate
The Tomoyuki Trio LP should be seeing the light soon as well.
A trio with legendary guitarist Tomoyuki Aoki from UP-Tight. Awesome album. Was a pleasure to work with him. Foundations are laid for our 2nd. Up-Tight have just released a couple of lps on Cardinal Fuzz. Reissues, well worth checking out.
https://cful.bandcamp.com/album/uptight-sweet-sister https://cful.bandcamp.com/album/uptight-makoto-kawabata-uptight-makoto- kawabata
I completed a new debut album with IIkka Vekka, Ohto Pallas, Otto Juutilainen from Haare & Nolla. New project called Kaliyuga Express, total Hawkwind experience, specifically the Warriors and Masters periods.
Did a lot of experimenting with ultra delays on the guitars and micro tonal changes, lots of automation and octave chords. Tried to mix the guitars so every four/eight bars, something changes tonally. Just recently signed this off with the label.
DOWNTIME, a duo with me and Dave Sneddon. Our debut tape came out on Cruel Nature Records (UK) in January. Might be a few left. Weird instrumental noise rock. Slide guitar ventures. SNED runs a publishing house.
Lot of punk literature and art books.
NEUTRALISER, collaboration with Charlie Butler, released a tape on Cruel Nature Records (UK) in January.‘Capsule Bowed Space’ There is some copies of the 2nd run of tapes.
Also self released a digital album a month back, called ‘Liquid Oxygen Kerosene’.
What can you tell me about your musical background?
Been playing guitar & bass in bands’ since I was 16, got into improvisation and noise/drone music specifically when I was 20, I think. Started BONG, loosely, when I was 22/23. Played in noise, drone, improv sludge, noise rock, thrash, punk, grindcore bands through my 20s. Started playing gigs heavy from the age of 25 till 38. Probably more known for playing in BONG, 11Paranoias, Drunk In Hell, Melting Hand, Blown Out, Mienakunaru….
What does a regular day in your life look like? What role does music play?
Most days I’m working on music, mixing, recording or just listening and making notes.
I’ve got so many notepads full of numbers, track names, ideas, edits…etc. Maybe for only for an hour or so. But everyday, there is something to check over. I minimised my recording setup and the way I record albums. So it’s not a big thing to just start checking/recording/mixing various projects I’m working on. Its a fluid motion, I’ve made it easy to just pick up, play and start recording/mixing and so on..
I paint whilst I listen to mixes.
Where do you live and how does it affect your musical doings?
I lived at the coast for years, now I live close to the boarder between Gateshead and Newcastle. I used to be away all the time, playing shows/recording in larger cities, so, with being away lot, made me appreciate the smaller scale and calmer atmosphere I would return to. Less daily stress means more time to be inspired and productive, I guess.
Like a pirate, I would go and gather all gold from the capitals and go back to the sea.
I much rather visit the chaos, than live in it.
Can you highlight some of your favourite releases you were involved in, and tell us why?
The stuff I’ve released over the past 2-3 years and LPs that are on the way. I’m most proud of. I don’t save any copies of any album I have done. They either all get sold, given away or traded, everything is in the outbox. Test pressing etc, everything goes eventually. Being able to create music with Mitsuru, Junzo & Aoki over the past couple of years has been great. Same with Fred Laird with A&U & Charlie Butler in Neutraliser, got me back into enjoying, what I love the most about music.
The creating of it and the evolving process. Most importantly though is Dave Sneddon, without his drums, many of these albums/projects/bands would not be possible.
What is “the dream” for you as an independent artist?
To have 10% of my followers, buy my music and art.
What should the Weirdo Shrine reader do after reading this interview?
Buy music and art.
https://weloveyoujunzo.bandcamp.com/ https://visualvolume-mikevest.bandcamp.com/ https://emptyhouse.bandcamp.com/music https://charliebutler1.bandcamp.com/ https://amorphouspieces.bigcartel.com/ https://tabatamitsuru.bandcamp.com/