Improvisational bands live dangerously. You’ll never quite know what you’re going to get. That’s why it is so incredibly impressive that The Eternal Electric Landscape by Snakes Don’t Belong In Alaska sounds like a dark concept album, like the whole thing has little to do with chance or fate…or is it perhaps black magic?
From the get go the UK quartet goes Through The Darkest Dimensions, summoning a mysterious atmosphere, with ghoulish, wailing vocals and hair-raising synths. The plodding drums plod threateningly on, towards impending doom…but slowly, without any rush, the whole eleven minutes long…
Onwards with the hypnotic German krautrock vibes of Elektrische Zeitreise. Kaleidoscopic melodies claw into each other playing tricks on your senses. And that’s still the lightest track of the bunch, because The Holy Mountain Of Fire brings all the epicness that title promises, and then some. The vocals sound like a demented sermon by some fallen priest, while the guitars build up ominous walls.
Walls that lead up to the final song The Eternal Electric Landscape, and its big crescendo: The Horned Serpent. It’s a ritualistic song with dark chanting gang vocals and endlessly spiraling riffs over brooding synths. Once again it amazes me how Snakes Don’t Belong In Alaska are able to keep up their dark concept of psychedelic madness without much planning or scheming. The fact that they are an improvisational band, and that these dark musings spring from their band chemistry and collective imaginations is quite amazing, and a bit frightening too…it must be black magic.